Radio and Sound Recording
Short History of Radio and Sound Recording
Tuesday, January 6, 2009
The Coming of the Broadcasting
The idea of broadcasting – that is, transmitting voices and music at great distances to a large number of people-predated the development of radio. In this memo Sarnoff wrote of
a plan of development which would make radio a “household utility” in the same sense as the piano or phonograph. The idea is ti bring music into the house by wireless…The receiver can be designed in the form of a simple “Radio Music Box” and arranged for several wavelengths, which should be changeable with the throwing of a single switch or pressing of a single button. (Sterling & Ktross,1990)
Radio and Its Audiences
Monday, January 5, 2009
Radio has more than survived; it has prospered by changing the nature of its relationship with the audiences. The easiest way to understand this is to see pretelevision radio as television as today – nationally oriented, broadcasting an array of recognizable entertainment program formats, populated by well known stars and personalities, and consumed primarily in the home, typically with people sitting around the set.
In an age week, more than 225 million people, 94% of all Americans 12 and over, will listen to the radio. The majority of Americans, 60 % get their first news of the day from radio, and where the large majority of all listening once occurred in cars.
Radio audience, though, is not growing. In fact, it is declining.
Scope and Nature of the Radio Industry
Sunday, January 4, 2009
FM, AM, and Nonecommercial Radio
The FM (frequency Modulation) signal is wider, allowing the broadcast not only of stereo but also of better fidelity to the original sound than the narrower AM (Amplitude Modulation) signal. As a result, people attracted to music , a radio staple, gravitate toward FM. People favoring news, sports and information tend to find themselves listening to FM dial.
Radio is Local
No longer to compete with television for the national audience in the 1950s, radio began to attract the local audience. Because it cost much more to run a local television station than a local radio station, advertising rates on radio tend to be much lower than the television. Local advertisers can afford radio more easily than they can television, which increases the local flavour of radio.
Radio is Fragmented
Radio stations are widely distributed throughout the United States. Virtually, every town – even those with only a few hundred residents – has at least one station. The number of station licensed in an area is a function of both population and proximity to others towns.
Radio is Specialized
When radio became the local medium, it could no longer program the expensive, star – filled genres og its golden age. The problem now was how to program a station with interesting content and dos o economically.. But stations soon learned that a highly specialized audience of particular interest to certain advertisers could be attracted with specific type of music.
Radio is Personal
With the advent of television, the relationship of radio and its audiences changed. Whereas families had gathered around the radio set to listen together, we now listen to the radio alone. We select personally pleasing formats, and we listen as an adjunct to other personally important activities.
The Business of Radio
Saturday, January 3, 2009
Advertisers enjoy the specialization of radio because it gives them access to homogeneous groups of listeners to whom products can be pitched. Since the entrenchment of specialized formats, there has not been a year in which annual billings - dollars earned from the sale of airtime – have declined
Radio is an attractive advertising medium for reasons others than its delivery of a homogeneous audience. Radio ads are inexpensive to produce and therefore can be changed, updated, and specialized to meet specific audience demands.
Scope and Nature of the Recording Industry
Friday, January 2, 2009
The four major company are the following:
• Sony BMG is co0owned by two global media conglomerates, Japan’s Sony and Germany’s Bertlesmann. Its label include Columbia, Epic, RCA, and Artista.
• New York-based Warner Music Group is owned by Edgar Bronfman and several private investors. Its label include Atlantic, Electar, and warner Brothers.
• Universal Music Group is owned by French conglomerate Vivendi Universal and controls label such as MCA.
• EMI Records is owned by England’s EMI Group and controls labels such as BMI, Capitol, and Def Jam Records.
Trends and Convergence in Radio and Sound Recording
Thursday, January 1, 2009
Television, specifically cable channel MTV, changed the recording industry too. MTV’s introduction in 1981 helped pull the industry out of it disastrous 1979 slump. However, it altered the radio – record company relationship, and many sits are introduced on MYV rather than on radio.
Satellite and Cable
The convergence of radio and satellite has aided the rebirth of the radio networks. Music and other forms of radio content can be distributed quite inexpensively to thousand of stations. As a result, one network can provide very different services to its very different affiliates.
Digital Technology
In the 1970s the basis of both recording and radio industries change from analog to digital recording. That is, sound went from being preserved as waves, whether physically on a disc or tape or through the air.
Convergence with computers and the Internet offers other challenges and opportunities to the radio and recording industries. The way the recording industry operates is likely to be altered by the internet.